From: Jungshik Shin (email@example.com)
Date: Sat Apr 26 2003 - 01:48:11 EDT
> Peter Constable wrote:
> > Jungshik Shin wrote on 04/21/2003 09:27:04 PM:
> > > I think two cases are distinct. In bidi text, bouncing back and forth
> > > is across grapheme boundaries while in what James described, it's
> > > within a single grapheme.
> > Well, wasn't the point of James' comments: to determine whether the Indic
> > sequences *should* be considered a grapheme?
Let's forget about graphemes. I'm not saying bouncing back
and forth in Indic script (input) is bad or should be prohibited.
Sometimes it's desired and necessary because like other scripts that
are alphabetic as well as syllabic , Indic scripts have multiple
layers of 'unitness' and end-users' expectation of what constitutes a
unit can depend on several factors. Therefore, my answer as to whether
it's desirable or not to allow bouncing back and forth in the situation
James described would be it depends. My answer wouldn't change even if
the UTC had stipulated (normatively) that a certain sequence of Indic
letters constitute grapheme. Because as Marco and I discussed last
year(?), there's no single answer as to how many Unicode characters to
delete/move on delete/backspace/left cursor/right cursor key for Indic
scripts and Hangul (and perhaps other scripts as well. For example,
some people may want backspace key to delete just a diacritic mark
instead of base+diacritics.). Therefore, Korean input methods usually
offer a user-configurable option to controll the behavior of
backspace/delete/cursor key at least at the pre-edit stage.
BIDI case is different from Indic scripts because
most people (at least, there's less dependency on personal preference,
application need and so forth) would agree that moving back and forth
is what to expect when moving across LTR and RTL boundaries
on (almost) all occasions.
 Korean cell/mobile phones have three keys for vowels, dot, horizontal
stroke (at 2, 1, 3), and vertical stroke with 14 consonants allocated on
7 keys at [4..9] and 0 (two consonants a key). In this layout, vowels are
constructed from these three elements (天, 地, 人 : at least two layers
below than precomposed syllables). As far as vowels are concerned, the
layout takes advantage of 'featural' aspect of the script. It's amazing
how fast kids can type with it when sending out text messages to their
friends. Their fingers are literally flying.... BTW, does anybody know
what Indian kbd layouts for cellphones are like?
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