From: Khaled Hosny <khaledhosny_at_eglug.org>

Date: Thu, 23 Jul 2015 14:50:59 +0200

Date: Thu, 23 Jul 2015 14:50:59 +0200

On Thu, Jul 23, 2015 at 10:25:22AM +0200, Marcel Schneider wrote:

*> The remaining question would then be: What was the idea when at font
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*> design, the fraction slash was given left and right kerning, so that a
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*> preceding superscript digit will take exactly the place it has as a
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*> part of a precomposed fraction, and a following subscript takes place
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*> like if it were a denominator in one of the precomposed fractions?
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What says that this kerning is there for super/subscript glyphs, it can

be equally (and more likely) be there for the numerator and denominator

glyphs.

Regards,

Khaled

Received on Thu Jul 23 2015 - 07:59:05 CDT

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